The Apollo Theatre Accident Review

…over three months after the collapse of the theatre ceiling plasterwork

The Apollo theatre is one of the oldest and most beautiful London theatres. The construction, built by Lewin Sharp for owner Henry Lowenfeld, is a grade 2 listed West End theatre visited by hundreds of cultural lovers each night.

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Apollo Theatre

In mid-December its spectators, fans, curators, partners and owners became victims of a terrible accident during which the ceiling of the 112 year old building collapsed on the audience, 40 minutes into the show. Many were hurt and hospitalised as a consequence, others were devastated to see the theatre in such a condition.

The accident was a result of a number of unfortunate events: possible distraction and disregard, ageing materials combined with bad, wet weather. Although the theatre ceiling was checked in September 2013 (ref. BBC News), the collapse in December (three months later) suggests that there is also an issue with the current health and safety protocol. Metro newspaper stated: ”The owners of the West End’s theatres have been told to begin urgent ceiling inspections after it emerged that weakened supports were the ‘principal cause’ of the collapse at the #Apollo”

An interview conducted by the telegraph with the co-owner of Nimax Theatres Nica Burns admitted that it is difficult to maintain the group of six London theatres (Apollo, Duchess, Garrick, Lyric, Palace and Vaudeville) and that she was aware of the fact that the buildings were ‘damp’ and neglected by previous owners.‘Water attacks the building from above and below,’ she said. ‘Half the theatres have tributaries of the Fleet River running through the basements, and we have to pump them continuously, 24 hours a day. You can never stop looking after these old buildings.’

The Theatres Trust, which is responsible for promoting the health of historic theatres, said it was ‘very concerned’ by the incident.

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Apollo Theatre owner ‘could face £1m legal claim over ceiling collapse’ (ref. Standard)

Perhaps, this is a call to action to all London theatre curators and old building owners to check the conditions of their constructions and their plasterwork elements.

Decorative plasterwork, as beautiful and resistant it can be, needs conservation and maintenance.

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Theatre: The three-galleried auditorium, which seats 796, is decorated with elaborate plasterwork and the balcony on its third tier is considered the steepest in London

Gideon from Fine Art Plasterwork commented on the tragic event, saying: ‘’As a plasterwork company with over 30 years of experience in decorative plasterwork we have seen many historic buildings being neglected and destroyed by natural causes. It is sad to see how the cultural heritage of this beautiful city suffers from the lack of funds or poor management’’.

The average lifetime of a ceiling plasterwork varies depending on its maintenance and weather conditions. Robin Townley of the Association of British Theatre Technicians said that “The handbook goes on to recommend a new certificate should be obtained every 12 months’’. A spokesman for Westminster City Council, which covers the West End, said it requires venues to have their ceilings checked every three years rather than every 12 months (ref. BBC News).

In conclusion, such a horrific accident in the middle of a West End show is extremely rare case, from which there is a lesson to be learned. The fact that the Apollo theatre ceiling was checked only three months prior the accident suggests that the safety protocol needs updating as the building ages and the weather conditions can cause unpredictable consequences. We would agree with Robin Townley and suggest that old building owners should seek assistance from professional plaster companies for the maintenance of their plasterwork. Best practices would include consulting industry professionals for the art maintenance of such buildings. Especially in weather conditions like the present, the safety should not be compromised by any means.

Decorative Plasterwork

Decorative Plasterwork

Plastwerork on a building is like clothes on a person. Plasterwork adds character, style and communicates with its looks and execution.
We have seen some amazing plasterwork decorations over the years, but for us these are the most outstanding ones. Would like to thank the authors of the photos that don’t belong to Fine Art Plasterwork. They are a true inspiration.
Find out more stunning plaster ceilings https://plus.google.com/u/0/b/105245048220710658416/communities/112157831314709278572/stream/34082a50-751f-4e8f-ab01-b51519b58329

Classical Building Arts and Plaster Decoration

This article is about decorative plasterwork, including a very short history of plasterwork itself. in future posts we will aim to talk more about classical architecture, building arts and how plasterwork details can transform the appeal of any building.

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A bit about plasterwork

Plasterwork and decorative elements on buildings were the epitome of high class, aristocracy and wealth during Victoria times.

Traditionally plasterwork materials were lime-based and predominantly used for covering walls (coating), floors and hearths in houses. The material was often used for its hydraulic and anti-fire properties. Later on, production of plasterwork included materials such as coade stone (made of clay) and other materials that could be used for decorative purposes too.  

The below are some of the elements produced by decorative plasterwork for external and/or internal decoration of buildings:

 

Cornices

Cornices are decorative elements that cover the corners of the room, giving it a softer look. This element offers a touch of ornamental band with the appearance of beading, often created in silver work and moulding. The Godroon is a type of moulding that usually represents a decoration under a bowl of stone, terracotta or ceramic objects. The actual word ‘Godroon’ comes from the Latin word Guttus, meaning flask.

Ceilings

Decorative ceilings add another dimension to the room; they can give the opportunity to impress, communicate sophistication and personality without taking up extra space and being invasive.  Fine Art Plasterwork is used when restoring, renovating and creating plasterwork moulding.  

Plaster Centre Pieces

This is one of the most traditional and widely used plaster decorations used in Victorian times. In most of the cases the Godroon is beautifully carved with fine art designs and ornaments. This practice is believed to be derived from France.

Roses and pineapples were and still are widely used in ceiling centre piece design. Pineapples, during Victorian times, were a symbol of wealth and high society. The association with the fruit very much originated from colonial times since it was given to Christopher Columbus at his landing on the island of Guadeloupe. Today pineapple is a symbol of hospitality and friendliness. If you take a walk around Victorian London you will notice pineapples integrated into the plaster work at the front of many buildings.

Plaster Arches

This decorative element adds an incredible feel to the room, making it more welcoming and visually appealing. With careful consideration, measurement and design an arch can be the ultimate element to a room’s design, which will add an instantly attractive look and graceful presence.